Difficult to grasp

One reason why the theory of the sensorimotor paradox may be difficult to grasp is because a paradox is difficult to grasp. It forces us to look at a situation from two contradictory ways at the same time. Though any process of differenciation requires that we alternate between two different objects, the simultaneity in the paradox hinders the capacity to differenciate one part from the other as different, nor can we figure out how they could evolve and change. But, it also comes from the fact that the two objects coexisting in a contradictory way are not likely to collide. That is, for instance, the very fact that I cannot collide with my own reflection in a mirror that makes its experience paradoxical. Logically, if I moved further on toward it, I should come to meet with it, but it never really happens. Precisely, the solution to a paradox is never logical, but imaginary.

Likewise, the famous impossible constructions in Dutch artist M. C. Escher’s lithographs display physical dimensions that should not coexist, whether they represent staircases or a waterfall going impossible ways. A paradox means that two dimensions of one same object or a set of two identical objects could have opposite properties and still coexist in the same space at the same time. It is something like an A = -A = 0 equation. One cannot go anywhere with a paradox. However, it presents a crack within the very structure of how a body can or is supposed to interact with their surrounding environments.

M. C. Escher, Relativity, 1953.

There, we get to the paradox in sensorimotricity when it comes to the situation of gazing at one’s own hand and not being able to go anywhere beyond that confrontation. At a certain distance, within a certain setting, gazing at one’s own hand is an impossible direction : one cannot look elsewhere and cannot seize anything else, but is condemned to stare at each other with their own hand for as long as it can be sustained. But, we hate paradoxes. We want to find solutions to their trap, a way out, to overcome them, even though we cannot resolve them. We want to determine a path that would progressively lead somewhere, by differenciating each step. A paradox is too radical, as no direction would lead to a consistent solution : thus, no progression could overcome it. It gets all assimilated within this same and only situation, that swallows all effort up within its abyss.

There is something difficult to bear also in a paradox that is physiological. The confusion cast over the neural system to make those contradictory options coexist cannot be held for too long without increasing a sense of distress. The way out of a paradox is always an escape from a singular image that crystallises the impossibility to project into a viable solution that we could think of on a sensorimotor level. We cannot make the scene change, whatever effort we put into trying, and this impossibility to make things change can be suffocating.

But, finding an escape from an impossible representation puts us in relation with that very representation, the image for itself and as an image that comes as one, unified, impossible to alter but in a radical break-up. The image becomes the object that we are forced to relate to. It is not the hand, nor the solution. It is the whole picture as a complete new possibility. Paradoxes exist for themselves. They have no other purpose than to force us into a relation to their closed-in and looped reality. So, we have to differecienciate oursselves from it, if we cannot change it. Somewhat, an intense sense of one’s own experience of reality comes out of the encounter with a paradox, even at the cost of alienating one’s own body for a moment when the representation of the body becomes more real than the prime experience body itself. We are, in a way, stepping out of ourselves.

Therefore, there is a constant struggle in representing our ‘self’, our own reality as an image to ourselves. It is a paradox to represent something like a ‘me’ from the outside and somehow, as we mentioned in an earlier text, that is something that a practice such as a Buddhist practice helps us deal with in a more peaceful way. If we cannot do anything out of a paradox, even the paradox of our own thoughts, we may better stop struggling with it and keep our minds to a more gentle and skillful use. The best way to live with a paradox is only to acknowledge that it exists.

Credit : « Moth », by La Fille Renne ❤

How Early Buddhist philosophy and the Sensorimotor Paradox theory can connect

Text in pdf : A Setting Bird – How Early Buddhist philosophy and the Sensorimotor Paradox theory can connect

Undergoing a Buddhist practice is no mean feat. The impact on one’s own daily life can be extensive, for it touches the very heart of what makes up for a human experience. The core of Buddhist philosophies, notably regarding the early texts1, remains remarkably modern in the ways that it critically tackles the notions of Self or Non-Self and the conditional structures of our perceptions, understood as both sensory and mental. But it also offers a path in order to make peace with the inherent instability of lived experience. It gets there from the observation that everything is always changing to some degree, which fact is ‘hard to face’ – dukkha. According to American psychologist Mark Epstein2, the etymology of the term dukkha (considered the first of the Four Noble Truths in early Buddhism3 and usually translated as ‘suffering’ or rather, as ‘unsatisfactory’, if we follow secular Buddhist scholar Doug Smith’s position) notably offers us a reflection on the nature of trauma, that we already inspected earlier.4 Trauma would be in all the moments of everyday life that may be ‘hard to face’, for whatever reasons and to whatever degree, whether slight or large.

Likewise, the unsatisfactory nature of many of our daily experiences can apply of course to painful experiences as much as to pleasurable ones, as they are as well destined to end eventually. The key practice of Buddhist philosophy would then be precisely to acknowledge our tendency to cling on to and identify with things in the world as if they pertained to some stable and everlasting entity or Self – though it really is impermanent, as all things are according to the Buddhist stance. As such, they can only be situated experiences and serve as skilful means to connect, enact and find understanding with others within specific contexts of interaction. From the mindful awareness of the tendency that we may have to react to distressful situations by clinging on to some fixed representations of how things, including ourselves and our practice, are or should be, we can learn to restrain those kinds of reaction born from fear and calm ourselves down.

If at the time, around the 5th century BCE, the Buddha reportedly elaborated his analysis on whether a notion of Self was skilful and on mental states and ethics in contradistinction with Brahmanic beliefs, the way that it highlights complex and intricated notions of identity is still vivid and deserves consideration. We already, in earlier essays, suggested how the interpretation of dukkha connected with our definition of trauma as founding our growth and (self-)perception, as an agent of contrast, adaptation and interpretation, that would mostly vary in degree.5 It would also be interesting to consider how the central idea of Non-Self and the Buddhist recommendations about it, such as equanimity toward change and non-attachment can raise useful connections to the core of the theory of the sensorimotor paradox. (Let us note that non-attachment is not to be mistaken for detachment and not caring about the world and others. On the contrary, non-attachment would be about welcoming but not grasping, not identifying and adopting an attitude of lovingkindness toward things around and within us that are impermanent and that we cannot totally control.)

The theory of the sensorimotor paradox

As to the heart of the theory of the sensorimotor paradox, as we remind it, it is the evolutionary hypothesis that the development of human species’ capacity for imagination might have been possible thanks to a sensorimotor paradox – first, the situation of gazing at one’s own hand(s). Sensorimotor usual interactions would break down as the object of the gazing here is the very same one as the hand that I would have the impulse to react with in relation to any other object. Biologist Gerald M. Edelman’s condition for self-consciousness would be satisfied, as the usual neural response to stimulation would then be ‘delayed or lagged’6. This particular situation would produce a disconnection of the sensorimotor image then generated from the possibility of its enaction toward this very situation – frozen. (It is to be noted here that we understand the concepts of sensorimotricity and enaction as used and developed by Chilean Biologist Francisco Varela in his work, that was deeply inspired by Buddhism itself.7)

That means that imagination, as a first support for later collective elaboration of networks of symbolisation, would rely on a gap opened within our capacity to spontaneously and compulsively respond to a situation on the sensorimotor level. In this disconnection between situation and sensorimotor reaction, the working and relative autonomy of the mental image that we would find ourselves caught into, as well as the emotional effect of being frozen into that moment would act as an equivalent substitution, so to release the entropy of restraining and delaying the response that would have been otherwise given. We, in a way, grasp to that image as there is nothing else that we can grasp on to.

It gives a complex configuration where I become myself the object of a somewhat abstract scene and complicated feeling, as my own hand alienates from myself and becomes part of something seeming to belong to the outside world. My perception of the latter, of what it is and means to me shifts as well, as it seems to become, through the assimilation of my hand, a part of me, an ontological experience. So, we do tend to identify to our mental images and representations as they are the substitutes to a most vital and bodily need for sensorimotor interaction. The disruption of this elementary capacity produces a situation of distress, that needs an emergency alternative, found in the situation itself and its imaginary-like outcome. Any idea and perception of a self would be, from that point, a reconstruction from the ongoing and traumatic (in the sense mentioned above) generation of sensorimotor memory, which would later on articulate with social interactions, rules and conventions, looped within itself, its own narrative activity and constant work of anticipation and interpretation. Eventually, it locates all its effort and tension internalising non-expressed and then repressed possibilities within the body.

In a way, as did psychoanalysis, for instance and to an extent with the freudian unconscious and the lacanian concepts of signifiers and the symbolic, early Buddhism aimed well at understanding how much any mental formalisation would come up as an attempt at grasping on to some safety resort, at rescuing oneself from distress, seeking a form of stability. As we saw, the state of paradox described in the theory that we developed before is a highly distressful one, as the very structure of sensorimotricity and capacity for the body to function is put at risk. In a passionating way, early Buddhist psychological analysis and the ways that it offers to heal and make peace with our disruptive sense of self are stimulating and encouraging, especially in dire times such as ours today.

What say ‘me’ ?

 

The second paradox that we discussed in the work that is being done here8 is the paradox of the word ‘me’. When I say ‘me’, aiming at the reality of my lived and non-communicable sensorimotor and emotional experience, I have to step out of that experience in order to involve the participation of someone else, which I hope to get in order to testify of the existence of such a concrete object as a ‘me’. We can see here how it connects with the Buddhist assertion according to which any permanent and everlasting ‘Self’ that we are expected to find by inspection is only seeming to exist within a conventional, relational and situated construct.

It also joins with the structure of the mirror phase, such as the one proposed by French psychoanalyst Jacques Lacan since the 1930’s, taking up from Henri Wallon’s first observation : an ‘I’ can only exist within a dualistic structure where it would oppose a ‘you’ or a ‘it’ as a common and outside object of consideration. There, we need the outside gaze to give the object ‘me’ its form. As I say ‘me’, I also marvel at the possibility that such a space could open in-between me and someone else that would allow my own existence to become some object separated from my prime experience, which is so difficult to grasp. The word ‘me’, its fiction and narrative structure take me back into the circle of my relation to someone else that I wish to be supported by as the structure of a testified and ever-standing reality. So, there is a form of attachment, in the sense developed by psychologist John Bowlby in the 1960’s. Saying ‘me’ may be an attempt at making contact again with someone else, even in the abyss of self-disruption, at recreating some stable bond though it is always unsure, because this ‘me’ reality needs the same relational structure to hold, beyond the security of a closer physical contact, which always ends eventually.

That is the same relational structure that we try to maintain on a moment to moment basis by compulsively diving into our constant stream of thought. We need someone to talk to and address just to maintain the formal representation and illusion of some self, that would exist and be expressed through speech : to talk is to exist within a bond to others that seems to guarantee a form of permanence, in a way by a relation of moral debt. By their name, we take debt from others to stay with us attached, for better or worse, even though that kind of permanence is but a wish that may overlap its possibility. Otherwise, we risk facing the gap that we mentioned before, this hole and lack of a possibility to respond, as we grew up as individuals integrating the codes of conduct and social behaviour that we intimately know rule our interactions with others and our capacity to be accepted and thus survive among them, should we feel safely that we can be loved. The theory of the sensorimotor paradox gives a possible way of understanding why the gap is inevitable as it would be founding our very capacity to think, to retain sensorimotor enaction within imaginary and symbolic processes.

 

The way of healing

 

On its side, Buddhism proposed very early efficient ways both to make peace with the non-existence of some self-evident Self that would exist outside of conventional and experiencial structures and situations, and to encourage the development of a middle-ground between abandoning the implication of a self and still feeling concerned by what happens to the world around us and others – a centred ethics between desperate nihilism and morals. In a way, it joins with some concerns raised by English psychoanalyst Darian Leader in most of his work, about indulging in some detached and looped-in theorisation on the nature of the mind, from the same groups of people which work should be of finding better ways of helping people in their own contexts of experience.9 The same distinction is made in early Buddhism, according to Doug Smith, between ‘No Self’ and ‘Non-Self’.10 Indeed, the claim made by the Buddha would not have been to say that we should eradicate the Self, but to understand that any experience of something like a ‘Self’ is but momentary and conventional, that we should not get attached to it hoping that it would last and support us forever. On the evolutionary level, of course, we can also link that perspective to scholar in neuroaesthetics Ellen Dissanayake’s suggestion that our aesthetic experience of the world is less about the semantic content of the forms that we create, for example in the arts, than the simple fact that we do have an unique and singular experience in which we find ourselves committed.11

And that is the whole point of the sensorimotor paradox theory, that we find ourselves taken in a situation where we are forced to be spectator and witness to our own experience, that immediately creates a scene that comes to mediate our means to address that experience. Our imagination becomes the place where the ‘I’ can exist so long as we make it, but there is still to make this very scene exist as well for others so to make evidence that its potential reality would survive beyond its passing moment. We need others to believe ourselves that that moment, the memory from which we try to make sense would be passed on and live forever in the world, and heal beyond that hope.

1 In their various recensions in Pāli, Sanskrit or Chinese, and claimed to be best represented today by the Theravāda tradition, though there seems to be controversies on the matter. You can find an introduction to the Theravāda in Walpola Rahula’s book, What The Buddha Taught (1959, 1974).

3We will lean very much on the introductory work by Doug Smith, Study Director at the Dharma Institute, notably as displayed on his YouTube channel Doug’s Dharma. See, on the subject of dukkha, « Buddhism’s First Noble Truth ».

5Read also Darian Leader, Jouissance. Sexuality, Suffering and Satisfaction, Stilus, 2020.

6In Gerald M. Edelman, The Remembered Present, Basic Books, 1987.

7The last part of collective book The Embodied Mind (written with Evan Thompson and Eleanor Rosch, MIT Press, 1991) is dedicated to the influence on their work of late Madhyamaka Buddhism and its ecological touch.

8Read Clémence Ortega Douville, Three Paradoxes and Concentric Circles, https://threeparadoxes.com/the-book/

9Read, for instance, the late essay « Re-reading Little Hans », JCFAR, 2021.

10Watch, for instance, « Did the Buddha Teach No Self ? », https://youtu.be/wUDnPy6ACG4

11Read, for instance, Ellen Dissanayake, « The Artification Hypothesis and Its Relevance to Cognitive Science,
Evolutionary Aesthetics, and Neuroaesthetics »,
Cognitive Semiotics, Issue 5 (Fall 2009), pp. 148-173. Available here : https://www.ellendissanayake.com/publications/pdf/EllenDissanayake_CognitiveSemiotics5.pdf

Credit : « Moth », by La Fille Renne ❤

Hands, shelter and proprioception

In episode 11 of Star Trek Discovery‘s third season (2020), First Officer Sylvia Tilly (Mary Wiseman) is about to take temporary captaincy of the starship Discovery. She goes to Commander Michael Burnham (Sonequa Martin-Green) to seek her support and reassurance. To that, the latter explains to her that on Starfleet ships, there is a metal burr under the left-armrest of the Captain chair, that she has witnessed Captain Georgiou (Michelle Yeoh) as well as Captain Saru (Doug Jones) press on with their thumb and rub when getting into difficult situations. In Michael Burnham’s opinion, it was a way for them to ‘stay in the moment’, to keep touch with reality or even, we might say, a sense of it. Further more, when she got to be Captain herself, the sight of this shiny spot reminded her of her bond to her former Captain and motherlike figure and helped her connect with this affective and emotional tie on to her task.

From that example, we would like to come back to what psychoanalyst Darian Leader observed about our relationship to our own hands1, that we always manage to occupy them, often unconsciously, tickling or rubbing objects with them. We saw that one effect of the sensorimotor paradox is that it creates a radical opening and suspension in sensorimotricity. As motor enaction is not possible in that particular situation (the hand that I see is also the hand that cannot grasp itself), the sense of reality becomes highly dependent on the conditions of that relation. Motor fixation implies a hightened sense of being surrounded – but we are also drawn back to the decision that we have to make about it. All the space for decision and deliberation becomes an imaginary space, as there is no immediate motor possibility to it – except ending the relation by removing our hand. The thinking about it through self-representation becomes the mediation. It is all waiting for me to decide how I am going to lead my own way out. Otherwise, in the meantime, anything could happen. And as this anything can not be related to a motor response that I could make without being forced to think inside of the delay and lag of that response, as I am busy staring at my own hand, this same hand becomes the only last resort to finding this response up to enact.

This hold on the imaginary has soon, yet progressively been taken up by another kind of relation and questioning, through the others surrounding me and their gaze : how much it could question this sense of myself as needing the support of my own hands, or anything else that one could hold on to, a sound, an image, a feeling. The escape of my own hands, as well as other forms of self-stimulation – which are very present, for instance, in autistic people’s daily lives and experiences –, is also a way to sustain that tension of feeling surrounded and overwhelmed. Anything could happen from others, as much as we got to rely on them for affective and material support, and we are taught from trauma that their expectations are often hard to comprehend and anticipate, though we try to do so. The temporality of our relation to others is a temporality of imagination, of suspension, of expectation, of being receptive to images, impressions, to the anticipation of their next moves. But our body needs to get back to a more direct grasp on its own reality and possibility, that is a reality of enacting motricity and its possible outcomes. This is how we relate our perceptions to our need for sensorimotricity and the integrity of our body. This is how we ground ourselves in our capacity to move onward and keep on being the agent of our own telling. This is how we find shelter in our own body and get a sense of ourselves, of proprioception, how we stimulate our body in order to, at least, feel that we are still able to respond and still exist, in the sense of expressing something out of our situation.

The main dialogue occurs between ourselves and others, sensorimotricity and imagination. It is good, sometimes and eventually, to step out of symbolic ties to come back to that and try to spell a name out of the single meaning of our hands.

1In Darian Leader, Hands, Hamish Hamilton, 2016.

Xenophobia, self and the stream of thought

If there is something that is proper to the nature of mental images is that they are invasive. Once a memory exists, it becomes difficult to pretend it doesn’t affect the way that one moves toward the world. However, the more we grow, the more we are sollicitated to use images, to designate things, even in their absence, or to state one’s purpose. We learn more and more to act through them – often compulsively or desperately. As we saw earlier, one of the effects of a sensorimotor paradox is to blur the limits between agent and object, between what is from oneself and what is from someone or something else. Is my hand the object or the mean to grasp it ? The memory or trace that is left from that indecision is, fundamentally, the memory of a possible action that is awkwardly identified with the situation to the object that cannot be resolved. The whole experience is taken into memory. As to the sensorimotor paradox, we respond to that situation by maintaining an uncertainty over which is which, as it is the memory of an impossibility to enact, that leaves us with ourself that is now experienced as an open self, an experience in itself – self-conscious. It is the suspension of a possible resolution that could be enacted to the object that we are relating to, and we are the receptacle of that experience.

Then, already in the structure of this hypothetical early paradox, we have the structure of agency, because the image of possible action is fully determined by the limitations of its context. We represent to ourself something that appears alien, that forces us into relation. It is alien because we cannot solve it with any immediate action. The tension and emotion that this relation provokes become in themselves the outcome which we would resort on to enact ourselves out of it. Mental images and thoughts are always caught in their relational intrication, frozen, suspended into debating how to resolve. How we elaborate our own narration also means how much progression we can get, inside of this gap between the generation of memory (the images) and actual motor enactment. As our hands are still a challenge and we are still exposed to the presence of others, the riddle is never prompt to be solved, because they are, somehow, part of the same problem or question. Similar situations will confront us to similar memories and their proximity will allow us to contrast and nuances between them, entering into the detail, sometimes making analogies between previously unrelated things – a metaphor. This generation of a network of memories will also confront us to the presence of others familiar enough to us. Especially, the other’s gaze or the other’s touch or vocal presence will create something to attach to in moments of discomfort. Their stability as something that cannot be avoided makes it quite similar to a same paradox – wanting to go through, but facing the impossibility to do so, working with the distance between them.

The way that we are to respond to that presence becomes a possibility from which the outcome may or not be pleasurable. At any stage of our evolution as a species, we must have enriched the way that we treated those memories and adapted to them as well as we got to fit our natural and social environments. Being born in social conditions ruled by language, it becomes quite difficult not to use images, at least situated sound images and memories, not to think through them in the idiom that is used to get us ready to respond – even difficult to think in onomatopeias. We are, as human beings, constantly maintained in an environment where we are likely to be summoned to respond to the question ‘What is your purpose ?’ – in words or at least, through our behaviour and social conduct, led to interpretation. Therefore, the constant stream of our thoughts is what we rely on to keep ourselves on a common understanding, according to how we feel that we are expected to respond. Our traumatic experience will of course compulsively push us to always be prepared to be summoned to give a response, for others or to ourselves. This mental and physical conditioning would also reduce the chances that we would be taken by surprise and unprepared, requiring a time to adjust and exposing the cracks in social dynamics.

Showing our ‘best part’

What autistic activists’ works show is that social conduct based on what is called neurotypics, relies on the implicit and tacit contract to respond to any demand without exposing the social arbitrary constructs which work to prevent any genuine question from happening without a measure of control. It is all supposed to ‘aller de soi’, to be ‘natural’, though it is something that we had to learn, being sollicitated to copy certain kinds of behaviour and reject others since the early age.1 Therefore, in a sense, the ways that we got to learn how to respond to those interactions are impregnated with the contexts to which we had to adapt and in which certain aspects of our identity got to emerge. Those contexts and the learning of some constants in other people’s reactions encourage us to show those affordable aspects as they push us into inhibiting those that would lead to a sanction. In most ways and most context, we are supposed to prove that we have ‘learnt our lesson’, that we are obedient now. So, a great part of our identity is based on learning a lesson that would allow us not to be sanctioned by our social environment. A great part of our constant stream of thoughts is there to help us maintain this ability to attest that we indeed have the means to perform to that demand and that we will commit to showing our ‘best part’ – the obedient or the challenging one, the one that will not get us into trouble and force others to work into fixing it, teaching the lesson to the messy child, or the one that would eventually subjugate opposition. It takes a constant pressure on our bodily conduct to maintain such kind of readiness. Being defensive over vulnerability is something that we learn.

However, we do not simply recreate the expected task in our minds when we are thinking ‘at random’. We also continuously recreate a situation where we would have to justify ourselves – and hopefully overcome. More precisely, we tend to hang on to certain types of discourse – mostly nurrished by fiction, representations and a world of combined images – that seem to offer an empowering or at least decisive enough posture. Those discourses would most probably tend to provide some kind of progression that would mean that we are moving on to a point of resolution. The latter would testify that we would be right in the end and the debt is paid – or it would agitate a sense of restlessness demanding from ourself an impossible decision. It is a defense, and it is an escape, whether from being denied the right to a response or being denied the utter capacity to respond anyway. Moreover, as we endlessly recreate a paradigmatic situation that were somehow part of our teaching – often inhibiting in a traumatic way sanctioned aspects of our experience – but from different perspectives, what we call the unconscious in psychoanalysis would actively and negatively form from that effort to defend against the repetition of aggression (Freudian’s idea of the repressed). Yet, it is not much compulsive behaviours or thoughts that would constitute repetition, but the sheer possibility for aggression that we react to from restless trauma. Aggression can be defined as the impossibility to annul a force coming toward us to imminent contact. The memory of the pain is also the memory of the incapacity to prevent the pain. Trauma is then the active part of repositioning around the memory of that contact. Then, through the stream of our thoughts, we try to annul the possibility of aggression by the very means through which we were told that we were supposed to respond and be heard – that little measure of decision conditioning our interactions. To quote Black American lesbian poetess Audre Lorde, we are actually ‘using the Master’s tools’ to dismantle the Master’s house, which is a way of perpetuating the hold that traumatic bond has on us, that we still feel that it conditions our agency and the performing of our identity. Identity is formed through those possibilities, because it is what is likely to be identified and caught into collective memory.

According to biologist Gerald M. Edelman, the stability of our experience of reality and cognition relies on a network of neural re-entries.2 It is not a given that would passively be treated like a computer would, but a continuous activity of reactualisation and reinforcement of connections. Thus, the capacity to ‘delay or lag neural responses’3 – that the idea of the sensorimotor paradox is all about – should also be depending on our capacity to maintain this delay and stimulate new connections so neural activity could be sustainable. This should be supported by the whole achitecture of our memory summoned to the task of feeling fit and ready to respond on a common ground to our surroundings, here to be limited by a traumatic and symbolic field composing our self-consciousness. We constantly and mentally recreate an environment of experience in which we are supposed to show our commitment and that is based on the production of mental images and representations, attaching traumatic learning and body control to a set of shared values that serve recognition. As we mutually recognise a certain behaviour approximatively the same way, leaving time and a space open enough to adjust, we would be likely to find common ground in the end or break apart. The more violent and probable the eventuality of aggression in our physical environment of experience, the more defensive we would get to preserving our integrity. As we depend more and more on others to sustain our living and attachment, this hold on self-discourse would likely get crucial to surround pain, rejection and harm and their memory – as would the modalities of our self-justification. The measure of liberty, trust and affection left to us might serve as a resource to elaborate this other measure of protection.

Making the difference

In fact, we can find that the activity of the stream of thought is in some aspects closely tied to social norms such as of ableism and xenophobia (here, in a more general way than racism, meaning the fear of others and alienation). As we keep ourselves in the capacity to respond to others in a certain way that would testify that we belong to the same common understanding, language and culture, it maintains a certain idea of the familiar and, in contrast, of the strange, the exogenous, the dangerous. The fear not to be recognised as a valid member of the group by others because of our responding awkwardly has a lot to do with the energy that we put in mentally defending our position in a way that should seem legit, reliable and indisputable. To respond in a way that would not seem appropriate according to some customs and standards would be likely to expose gaps in the fabric of conventioned social interactions and the fear of others to be unmasked themselves. It may also arise the disturbing feeling that there is something beyond language, something raw, an impulse to join that has been taught to control, memories of refusal and those, tainted, of acceptance. It is the feeling that beyond language’s stabilisation of what we expect as reality, the eagerness for any kind of contact or its utter fear can form the most powerful of denials. Political structures of ruling tend to manage the dynamics between violence and a polarising sense of morality – that means justifying a state of violence as if it were a given order to be transmitted and followed. By preparing ourselves to be put to the test of belonging, we cling on to the idea that we would resist excommunication, outcasting and alienation – either the alienated, the moron4 or the stranger. The necessity that the other would make their purpose familiar to us – what French psychoanalyst Jacques Lacan expressed by the Italian sentence ‘Che vuoi ?’, ‘What do you want ?’ –, based on common knowledge and experience or our mutual capacity for dialogue and understanding, would be largely replaced by focusing on our own previous encounters (family, community or a largest part of our society) and how much we are still busy trying to find the best response. Fear is not a restless wound, it is restless trauma, the impossibility for some defensive effort to at least acknowledge the wound that it came from. Because as we saw with Chilean biologist Francisco Varela, violence is prescriptive. If it is structurally continuous and we are in tension to the intimate knowledge that we are eventually to comply to – because it is a structure of domination – an order, then it will be a source of pain and fear, sollicitating a constant defensive effort. Moreover, as the limits of our own identity are blurred by the state of sensorimotor paradox that leaves imagination open without granting the possibility for any careless motor enaction, violence will condition the way that we imagine the world.

The meeting of difference will immediately lead to a defensive reaction. Learning to withdraw from the impulse to react, in action or in meditation, should therefore be a strong political and non-violent act in a violent context. Asian-based philosophies such as Madhyamaka Bouddhism, Daoism or Zen reflect on how much our own action is conditioned by the demand of others, and if that demand is just or confused, excessive, violent not necessarily because the act is violent, but because the demand itself is conditioned by a violent context of learning. Those disciplines tend to work on questioning the minimal portion of self-awareness that can be preserved, and how much of what is arbitrarily meant to reflect the demand of others can be neglected. What can we genuinely share in common ? Or what is it that you demand that you do not to me, but to someone else’s from whom was transmitted the memory of pain ?

1We already mentioned in a previous article René A. Spitz, De la naissance à la parole : La première année de la vie, PUF, 2002.

2Read Catherine Padovan, Rémy Versace & Brigitte Nevers, La mémoire dans tous ses états, Solal, 2002.

3In Gerald M. Edelman, The Remembered Present : A Bio-logical Theory of Consciousness, New York, Basic Books, 1989.

4In Gerald V. O’Brien, Framing the moron : The social construction of feeble-mindedness in the American eugenic era, Manchester University Press, 2013.